Pieces Spotlights
For a full list of compositions please
Serendipity
PREMIERED IN NOVEMBER 2023
IN MANCHESTER
Serendipity is a personal exploration of the orchestra medium. The whole piece is characterised by the use of grotesque motifs (glissandi, unusual instrument pairings). However, the main focus is the detail for the sonority and the emotions it carries. In 1-minute movements, I move through different emotions and characters in an attempt to explore the range of orchestral colours.
Virgin Forests
PREMIERED IN MARCH 2024
IN MANCHESTER
Virgin Forests was inspired by a Polish folk story where on the night of November 30th, young girls would perform a ritual of running around the forest naked while singing a prayer to St Andrew to send them husbands. The piece written for violin and piano is an expression of this love, desperation, and frustration.
List of Compositions
Listen to my pieces
Bridge​
for saxophone quartet
(2025) - ca 8'
Commissioned for the RNCM Gold Medal Final
​
​
for solo clarinet in Bb
(2025) - ca 2'
​
​
for soprano and organ
(2024) - ca 15'
​​​​​​
​
Ondinas (Water Spirits)
for youth brass band
(2024) - ca 3'​​​​​​
​​​​
​​
A Menagerie of Ordinary Things
for live harp and fixed media
(2024) - ca 10'15"​
​​​​
​​​
Tenebrae Tenebrarum
for chamber choir
(2024) - ca 3'
​
​​​
Panacea
for BugBrand synthesiser
(2023) - 2'51"
​
​
De Natura Sonoris
for percussion quartet
(2023) - ca 4'30"
​
​​​
John Mouldy
for contralto and piano
(2023) - ca 5'​​
​
for symphony orchestra
(2024) - ca 6'30"​​​​
Virgin Forests
for violin and piano
(2024) - ca 4'45"
Commissioned by Wacławska/Philippi Duo​​​​​
Serendipity
for symphony orchestra
(2023) - ca 3'40"​​​​​​​​
I Wish I Knew How to Fish
for wind orchestra
(2023, rev. 2024) - ca 5'30"​​​​
​
for wind orchestra
(2024) - ca 4'​​​​​​​
A Lake Above the Clouds
for baritone and piano
(2023) - ca 4'40"​​​
Psithurism
for an ensemble with open instrumentation
(2023) - variable duration
Commissioned by CoMA Manchester​
Miasto
for chamber choir
(2022) - ca 4'30"